Contents

1. Tutorial - How2 Read the Scopes
2. Tutorial - How2 Correct Color Balance
3. Tutorial - How2 Correct Mixed Color Balance
4. Tutorial - How2 Correct Changing Color Balance and Levels
5. Advice - What affect does Color have on Mood?
6. Advice - What are other ways to correct color in Final Cut Pro?
7. Advice - What are the processes for Color Correction?
8. Advice - When to Correct Video Levels
9. Advice - Why adjust color from "standard"?
10. Advice - Why adjust the tonal range for creative purposes?
11. Advice - Why "correct" good images?
12. Advice - Why use Color Bars to Manage Quality?
13. Advice - Why use Color Correction?
14. Advice - Why use multiple layers and composite modes to combine layers during color correction?
15. Technique - How2 Accomodate Legal Colors
16. Technique - How2 Adjust Color for Creative Purposes
17. Technique - How2 Analyze Video
18. Technique - How2 Calibrate Video Scopes to a Camera's Color Bars
19. Technique - How2 Calibrate Your Monitor Using Color Bars
20. Technique - How2 Change Day into Night
21. Technique - How2 Change the mood of an exterior from stormy to sunny with multiple layers and composite modes
22. Technique - How2 Choose a Monitor
23. Technique - How2 Choose a Tool for Color Correction
24. Technique - How2 Correct a Dark Picture
25. Technique - How2 Correct an isolated color area
26. Technique - How2 Correct changing Color Balance
27. Technique - How2 Correct Changing Color Balance and Levels
28. Technique - How2 Correct Color Balance
29. Technique - How2 Correct Color Balance manually
30. Technique - How2 Correct Color Balance using skin tone
31. Technique - How2 Correct Color Balance with reference white, black or gray
32. Technique - How2 Correct Exposure when there are Bright & Dark parts to the image
33. Technique - How2 Correct for Overexposure
34. Technique - How2 Correct for Phase Shift
35. Technique - How2 Correct Mixed Color Balance
36. Technique - How2 Correct Mixed Daylight and Artificial light
37. Technique - How2 Create Masks for multiple color areas for sophisticated secondary color correction
38. Technique - How2 Fine-tune the Tonal balance
39. Technique - How2 Improve detail in the Highlights
40. Technique - How2 Improve detail in the Shadows
41. Technique - How2 Improve the Allocation of Luminance Values
42. Technique - How2 Locate pixels over 100 IRE
43. Technique - How2 Make images more dynamic
44. Technique - How2 Match color from shot to shot
45. Technique - How2 Read the Histogram
46. Technique - How2 Read the RGB Parade
47. Technique - How2 Read the Scopes
48. Technique - How2 Read the Vectorscope
49. Technique - How2 Read the Vectorscope - Example Images
50. Technique - How2 Read the Waveform Monitor
51. Technique - How2 Read the Waveform Monitor - Example Images
52. Technique - How2 Reduce Noise in Images
53. Technique - How2 Rescue severe Overexposure
54. Technique - How2 Rescue severe Underexposure
55. Technique - How2 Reuse Color Correction
56. Technique - How2 Select part of the image for Secondary Color Correction
57. Technique - How2 Set correct White Balance
58. Technique - How2 Set Extra Keyframes
59. Technique - How2 Set First Keyframe
60. Technique - How2 Set Keyframe Interpolation
61. Technique - How2 Use Color Bars when Shooting
62. Technique - How2 Use Multiple Layers and composite modes to improve a garden shot
63. Technique - How2 Use Multiple Layers and composite modes to improve an exterior
64. Technique - How2 Use Range Check and Waveform Monitor to determine video levels
65. Technique - How2 Use the Waveform Monitor and Vectorscope to Monitor Video Levels during Shooting
66. Technique - How2 View Color for Color Correction
67. Task - How2 Apply the Broadcast Levels Filter
68. Task - How2 Calibrate Input with Bars & Tone
69. Task - How2 Display the Video Scopes
70. Task - How2 Manually correct Color Group
71. Task - How2 Monitor Video Levels in Canvas and Viewer
72. About - Analog
73. About - Chroma Key (Color Key)
74. About - Colorspaces
75. About - Composite Mode
76. About - Gamma
77. About - Keyframes
78. About - Masking
79. About - Matting
80. About - Primary and Secondary Color Correction
81. About - SuperBlack